#Kevin hart tour dates 2016 full#
Video distribution is via full fibre-optic, front-of-house looms, which also deliver lighting, audio and communications signals. “We’re working in an environment with ever changing lighting, so the ability to not only react to those changes, but also to do this consistently across all of our live feeds ensures that we have full control over the final image.”
#Kevin hart tour dates 2016 software#
Palmer said that although each camera has its own operator, the team uses ATEM Camera Control software to regulate white balance, gamma and exposure across the three cameras.
“This simply wouldn’t have been the case in the past, as the budgets just wouldn’t have stretched to this.”
“The fact that we have two ATEM production switchers as part of the touring kit essentially means that we are travelling to all of these dates with full redundancy,” said Palmer. The live IMAG mix was cut on an ATEM 1 M/E Production Studio 4K where a live program mix is produced and delivered to three 12m IMAG projection screens: two at either side of the stage and a third above it.Ī second ATEM switcher is responsible for feeding the LED screens that act as the stage backdrop, using content from the tour promoter’s media servers. It’s unusual for a live performance set up, but Kevin really loves the tally system as he interacts with the cameras almost as though on a film set, rather than a live stage.” “The cameras’ tally and talkback features are also critical for the tour’s creative direction. “At some of the venues, such as the O2, we can be filming from up to 50 metres away from the stage, so we need to have the headroom that a telephoto zoom affords to ensure we can still capture a clean, crisp image,” said Palmer. Three Blackmagic Studio Camera 4Ks track Hart’s performance on stage: two positioned in the pit and a third paired with a telephoto zoom, which is designated as the front of house camera. We knew that the video quality and low latency that Blackmagic’s live production infrastructure offers would match this brief perfectly.” “We had an extremely short lead time and had to be able to not only deliver a reliable and robust touring package that could deliver outstanding results, but also great value for the client. “The Blackmagic Design equipment that we’ve selected gives us broadcast-grade image quality as part of a turnkey live production set up,” said Johnny Palmer, founder of SXS Events.
0 kommentar(er)
